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Brenya: Wearing self-confidence and taking on the real highlife music journey

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Brenya: Wearing self-confidence and taking on the real highlife music journey

Ghanaian highlife musician Brenya has captured the local airwaves and social media with ‘Forgete,’ a crafty new take on the ideas of patriotism and self-confidence.

“The goal of ‘Forgete’ is to teach self-esteem, to preach that we need to be self-confident as a people,” Brenya, born Kwasi Brenya Baah, said in an interview with Music In Africa. “I feel like that is what we lack as a people – most of us – and it’s become a subconscious thing. The more you believe in what’s yours, the more confident you become as a person.”

The song is produced by Liquidbeatz and packaged as classic highlife. To make it infectious, Brenya employs local slang, which discourages pomposity, for a hook. He also employs sarcasm and humour to deliver his message, which involves comparing homegrown heroes with international stars, arguing in favour of the former in an interesting lecture on the value of loving the things that are at home.

On the choice of style for this offering, which takes inspiration from the theme song of Concert Party, a popular Ghanaian series form the ’90s, Brenya says, “I needed the song to feel very authentic. In terms of the music I know and the type of music I do, there isn’t a more authentic feel than old-school highlife.”

Since its release recently, ‘Forgete’ has been getting a lot of attention. On Twitter, the song’s title is a regular trending hashtag. Hitz FM, a local radio station, has even adopted the tune for a segment on its morning show, with host Andy Dosty rewarding the best punchlines with mobile airtime. Brenya’s media appointments have also increased as a result of the song.


For Brenya, the song’s growing success arrives as relief, considering the challenges he faces as a highlife musician working in today’s pop-dominated scene.

“Mainstream media doesn’t seem to pay much attention to live, authentic highlife. These days you can’t even tell the difference between Afropop, Afrobeats and highlife. This is understandable because music is evolving. If you check the type of songs that have been getting nominations as Highlife Song of the Year, they sound quite different from songs that used to get nominated in the same category.”

Brenya notes that compared to most other genres, recording highlife music comes at a higher cost. “You would want your songs to have a lot of live elements in there. That automatically makes it more difficult and expensive to record,” he says.

Brenya, who leads the Crispy Nerds band, is hopeful that ‘Forgete’ will get the positive response it deserves beyond Ghana’s borders.

(Story: Gabriel Myers Hansen)

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Elorm Beenie is an experienced Public Relations Officer and Author with a demonstrated history of working in the music industry. He holds an enviable record of working directly and running PR jobs for both international and local artistes; notable among his huge repertoire of artistes worked with are Morgan Heritage (Grammy Winners), Rocky Dawuni (Grammy Nominee, 2015), Samini (MOBO Winner - 2006, MTV Awards Africa Winner - 2009) and Stonebwoy (BET Best African Act Winner - 2015). Other mainstream artistes of great repute he has worked with are Kaakie, Kofi Kinaata, Teephlow, (just to name a few), who have all won multiple awards under Vodafone GHANA Music Awards (VGMAs). Elorm Beenie has done PR & road jobs for Sizzla, Jah Mason, Busy Signal, Kiprich, Anthony B, Demarco, Turbulence, Popcaan, Jah Vinci & Morgan Heritage who came to Ghana for concerts and other activities. Elorm Beenie has done countless activations for artistes and has coordinated dozens of events both locally and internationally. He deeply understands the rudiments of the industry. His passion for the profession is enormous. Aside his PR duties, he also stands tall as one of the few bloggers who breakout first hand credible and also dig out substantial information relating to the arts & industry. He is quite visible in the industry and very influential on social media, which to his advantage, has gunned a massive following for him on social media as well as in real life. He is a strong media and communication professional skilled in Coaching, Strategic Planning, and Event Management. He's very transparent on issues around the art industry.

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