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FashionGHANA changes narrative of supporting African Fashion from Prints to Brands

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FashionGHANA changes narrative of supporting African Fashion from Prints to Brands

FashionGHANA.com Presents their latest cover dubbed ‘#AfricanDesignerChallenge’. In an ever-growing world of African fashion and in the wake of #BlackLivesMatter, people around the world are waking up to the importance of taking pride in buying black and wearing their own independent clothing.

However, beyond the glitz and glamour, it seems the concept of African fashion is seeing a revolution that might not necessarily take place for the better if the public doesn’t act on this in full effect. Today we see the concept of African fashion building itself through various characteristics such as African print fabrics, beaded accessories, tribal attributes and more.

This on the other hand is leaving much space for non-Africans to swoop in and create fashion with these ideal characteristics, whilst consuming finances from those that are eager to wear African fashion with the intent of supporting Africa.

This invisible hand doesn’t only extend to the creation of clothes, but also the running of the industry from events, online stores, fabric production, and more.

We have already witnessed the growth of the African Fashion movement, the title #AfricanDesignerChallenge is to change the narrative to a movement that highlights the pride and promotion of not only rocking clothes with African fashion attributes but instead that which was made and crafted by our very own creatives here in Ghana, Africa and/or worldwide.

The African Designer Challenge is to challenge society into hashtagging the brands and fashion designers they support by Hashtagging #AfricanDesignerChallenge and following with their name on social media.

DISCLAIMER: FashionGHANA.com believes in all creative rights and the ability for all to chose how they wish to design even when crossing cultural boundaries, not only do we welcome it but we also support it. However we do feel in a global movement for those looking to support African fashion on the basis and sentiments of supporting and developing Africa, it is only right that such space is giving to African creatives and not those masking themselves to exploit the said desire.

Dresss by @FdFashionHouse88
Styled & Directed by Nana Tamakloe
Mua @The_MUA_Sommy
Models Jennifer & @Ajay_daps
Agency @ConfidenceModels
Shot By @Gidi.photos
Edited by @Halettphotography

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Elorm Beenie is an experienced Public Relations Officer and Author with a demonstrated history of working in the music industry. He holds an enviable record of working directly and running PR jobs for both international and local artistes; notable among his huge repertoire of artistes worked with are Morgan Heritage (Grammy Winners), Rocky Dawuni (Grammy Nominee, 2015), Samini (MOBO Winner - 2006, MTV Awards Africa Winner - 2009) and Stonebwoy (BET Best African Act Winner - 2015). Other mainstream artistes of great repute he has worked with are Kaakie, Kofi Kinaata, Teephlow, (just to name a few), who have all won multiple awards under Vodafone GHANA Music Awards (VGMAs). Elorm Beenie has done PR & road jobs for Sizzla, Jah Mason, Busy Signal, Kiprich, Anthony B, Demarco, Turbulence, Popcaan, Jah Vinci & Morgan Heritage who came to Ghana for concerts and other activities. Elorm Beenie has done countless activations for artistes and has coordinated dozens of events both locally and internationally. He deeply understands the rudiments of the industry. His passion for the profession is enormous. Aside his PR duties, he also stands tall as one of the few bloggers who breakout first hand credible and also dig out substantial information relating to the arts & industry. He is quite visible in the industry and very influential on social media, which to his advantage, has gunned a massive following for him on social media as well as in real life. He is a strong media and communication professional skilled in Coaching, Strategic Planning, and Event Management. He's very transparent on issues around the art industry.

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