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Ghana Turns Up the Volume: Apprise Music takes the spotlight at WOMEX

Press Release

Ghana Turns Up the Volume: Apprise Music takes the spotlight at WOMEX

In the vibrant corridors of the global music industry, few events command the same magnetism as WOMEX — the World Music Expo. Every year, thousands of musicians, producers, managers, labels, and cultural tastemakers from across continents converge to celebrate sound — not just as art, but as a force of identity, innovation, and international collaboration.

 

This year, amid the rhythmic chaos and creative electricity of WOMEX, one name is echoing louder and prouder than most: Apprise Music — representing Ghana with vision, verve, and a mission to make the world dance to the unmistakable heartbeat of West Africa.

The Beat Behind the Brand

Founded as a forward-thinking digital music distribution and promotion company, Apprise Music has long been more than a conduit for streaming numbers or playlist placements. It’s a cultural accelerator — a movement that believes Ghana’s soundscape deserves not just global ears but global partnerships.

 

From highlife’s nostalgic sway to hiplife’s rhythmic fusion, from afrobeats’ infectious pulse to the meditative chants of Ghanaian traditional folk, Apprise Music understands that the nation’s music isn’t monolithic — it’s a mosaic. And WOMEX, with its global tapestry of musical diversity, is the perfect stage to showcase that.

 

This year, Apprise Music isn’t just attending the conference; it’s positioning Ghana at the epicenter of global music conversations. The goal? To connect, collaborate, and carve out new opportunities for Ghanaian artists in the international marketplace.

Making Connections That Matter:

At WOMEX, deals don’t happen under fluorescent lights — they happen over coffee, after spontaneous jam sessions, or in the echo of a percussion circle that turns strangers into collaborators. Apprise Music’s presence at the event is all about these connections — the organic ones that lead to transformative partnerships.

 

Armed with an impressive roster of Ghanaian talent and a reputation for professionalism, Apprise is engaging with record labels, event promoters, talent agencies, and cultural institutions from across the world. Their mission is clear: to bridge the gap between Ghana’s vibrant music ecosystem and the global stage.

 

“WOMEX gives us the space to tell our own story, to position Ghanaian and African creativity at the center of global music conversations. At Apprise Music, our role is not only to distribute songs but to open sustainable pathways for African artists — pathways that lead to visibility, collaboration, and long-term value in the global marketplace.”

 

— Michael Bamfo, Founder & CEO, Apprise Music & Media.

Ghana’s Sound: A Global Language

If there’s one thing WOMEX teaches year after year, it’s that music transcends boundaries. Yet, Ghana’s music feels particularly universal. It’s the syncopation of life itself — joy, struggle, celebration, and soul — captured in melody.

 

Highlife, Ghana’s timeless genre, laid the foundation for countless African and diasporic musical styles. Its modern descendants, like afrobeats and amapiano-infused collaborations, are now ruling global charts. Through Apprise Music’s strategic engagement at WOMEX, these styles are being presented not as fleeting trends but as living legacies — continuously evolving, influencing, and inspiring.

 

At the same time, Apprise is championing the less-explored corners of Ghana’s music — traditional drumming ensembles, spiritual chants, and folk compositions that carry centuries of storytelling. By connecting these roots to modern production and digital platforms, Apprise is ensuring that heritage doesn’t get lost in the algorithmic shuffle.

Collaboration: The New Currency

One of the most exciting prospects of Apprise Music’s WOMEX presence is the potential for cross-continental collaborations. Imagine a traditional Ghanaian kora artist fusing sounds with a Scandinavian folk violinist. Picture a Ghanaian gospel choir performing with a Cuban jazz ensemble. Or think of a hip-hop producer from Accra teaming up with an electronic DJ from Berlin to create something that defies genre altogether.

 

These aren’t far-fetched ideas — they’re the kinds of conversations that start at WOMEX, and Apprise Music is making sure Ghana is part of them. With the rise of global streaming platforms and social media, collaboration is the new cultural currency, and Ghanaian artists are ready to cash in.

The Digital Edge

While WOMEX thrives on face-to-face interactions, Apprise Music brings something uniquely digital to the table. The company has built a robust infrastructure that empowers artists to distribute their work globally, track their earnings transparently, and retain creative control.

 

In an industry still grappling with fair pay and equitable exposure, Apprise’s model is refreshingly artist-centric. By merging technology with cultural advocacy, they’re proving that music distribution isn’t just about numbers — it’s about nurturing sustainable careers.

 

Through workshops, panel discussions, and networking events, Apprise is sharing this vision at WOMEX, positioning Ghana not only as a source of great music but also as a leader in music innovation.

Turning Up Ghana’s Global Volume

The magic of WOMEX lies in its ability to make local sounds feel global — and global issues feel personal. For Apprise Music, representing Ghana here is more than a business move; it’s a cultural mission. Every handshake, every performance, every conversation is a chance to reframe how the world sees Ghanaian music. It’s about saying: We are not just the background beat to someone else’s story. We are the story.

 

And as Apprise Music continues to amplify Ghana’s voice on the world stage, one thing is certain — the rhythm of Ghana is impossible to ignore. So when the lights dim, and the final notes of WOMEX fade into memory, the world will remember the sound of Ghana — bold, beautiful, and brilliantly represented by Apprise Music.

 

Because when Ghana turns up the volume, the world listens.

(Story: Richmond Adu-Poku)

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Elorm Beenie is an experienced Public Relations Officer and Author with a demonstrated history of working in the music industry. He holds an enviable record of working directly and running PR jobs for both international and local artistes; notable among his huge repertoire of artistes worked with are Morgan Heritage (Grammy Winners), Rocky Dawuni (Grammy Nominee, 2015), Samini (MOBO Winner - 2006, MTV Awards Africa Winner - 2009) and Stonebwoy (BET Best African Act Winner - 2015). Other mainstream artistes of great repute he has worked with are Kaakie, Kofi Kinaata, Teephlow, (just to name a few), who have all won multiple awards under Vodafone GHANA Music Awards (VGMAs). Elorm Beenie has done PR & road jobs for Sizzla, Jah Mason, Busy Signal, Kiprich, Anthony B, Demarco, Turbulence, Popcaan, Jah Vinci & Morgan Heritage who came to Ghana for concerts and other activities. Elorm Beenie has done countless activations for artistes and has coordinated dozens of events both locally and internationally. He deeply understands the rudiments of the industry. His passion for the profession is enormous. Aside his PR duties, he also stands tall as one of the few bloggers who breakout first hand credible and also dig out substantial information relating to the arts & industry. He is quite visible in the industry and very influential on social media, which to his advantage, has gunned a massive following for him on social media as well as in real life. He is a strong media and communication professional skilled in Coaching, Strategic Planning, and Event Management. He's very transparent on issues around the art industry.

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