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“I still stand by it; Gospel-Secular collabos are just noise” — Mavis Asante

Gospel

“I still stand by it; Gospel-Secular collabos are just noise” — Mavis Asante

Gospel singer Mavis Asante has reiterated her stance on collaborations between gospel and secular artists, stating that her opinion remains unchanged.

 

In a recent interview captured on the front page of the Graphic Showbiz, Mavis Asante emphasized that such collaborations are “just noise and nothing else.”

 

Mavis Asante questioned the purpose and reason behind gospel-secular collaborations, asking if it’s for fame, winning souls, hype, or recognition.

 

She believes that gospel singers and secular artists have different callings and purposes, and collaborations between them can create confusion and dilute the gospel message.

 

Using an analogy, Mavis Asante compared collaborations between gospel and secular artists to a lawyer trying to perform surgery or a surgeon defending someone in court.

She emphasized that just as these professionals have different areas of expertise, gospel singers and secular artists should focus on their respective domains.

 

Mavis Asante’s statement has generated significant conversations and controversies on both old and new media, with some agreeing and others disagreeing with her stance.

The topic was discussed on Peace FM’s flagship entertainment show, Entertainment Review, where Mavis Asante opened the conversation with host Mc Yaa Yeboah, emphasizing why her opinion remains unchanged.

Mavis Asante’s firm stance on gospel-secular collaborations has sparked a necessary conversation in the music industry.

While opinions may vary, her perspective highlights the importance of considering the purpose and potential impact of such collaborations on the gospel message.

Entertainment pundit, Tilly Akua Nipaa who was in the studio during the discussion said Mavis Asante’s statement came out of ignorance because in Ghana and many parts of the world, even beyond collaboration between gospel and secular music singers, there are many instances sound engineers who are not Christians have produced classic gospel songs.

 

She believes Mavis Asante’s claim is neither here nor there because there many great gospel songs in Ghana and across the world which were written and produced by secular songwriters. If a secular artiste can write a song for gospel music singers, what makes they sing together a noise.

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Elorm Beenie is an experienced Public Relations Officer and Author with a demonstrated history of working in the music industry. He holds an enviable record of working directly and running PR jobs for both international and local artistes; notable among his huge repertoire of artistes worked with are Morgan Heritage (Grammy Winners), Rocky Dawuni (Grammy Nominee, 2015), Samini (MOBO Winner - 2006, MTV Awards Africa Winner - 2009) and Stonebwoy (BET Best African Act Winner - 2015). Other mainstream artistes of great repute he has worked with are Kaakie, Kofi Kinaata, Teephlow, (just to name a few), who have all won multiple awards under Vodafone GHANA Music Awards (VGMAs). Elorm Beenie has done PR & road jobs for Sizzla, Jah Mason, Busy Signal, Kiprich, Anthony B, Demarco, Turbulence, Popcaan, Jah Vinci & Morgan Heritage who came to Ghana for concerts and other activities. Elorm Beenie has done countless activations for artistes and has coordinated dozens of events both locally and internationally. He deeply understands the rudiments of the industry. His passion for the profession is enormous. Aside his PR duties, he also stands tall as one of the few bloggers who breakout first hand credible and also dig out substantial information relating to the arts & industry. He is quite visible in the industry and very influential on social media, which to his advantage, has gunned a massive following for him on social media as well as in real life. He is a strong media and communication professional skilled in Coaching, Strategic Planning, and Event Management. He's very transparent on issues around the art industry.

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