When it comes to Highlife, no one comes close to legendary Ghanaian musician and sound engineer Kwame Yeboah. For decades, Kwame has stood as one of Ghana’s most complete and versatile music figures, mastering multiple instruments, producing timeless records, and redefining the Highlife sound for a new era. His artistry blends tradition and innovation, making him a bridge between the genre’s golden past and its evolving future.
Born into a musical family his father, A.K. Yeboah, was a respected Highlife musician Kwame began playing drums at the age of five. Soon after, he picked up guitar, keyboards, and bass, developing a rare mastery over instruments. His early life was filled with live music, rehearsals, and performances, an environment that sharpened his ears and curiosity for sound. That hunger for growth took him beyond Ghana’s borders to Denmark and later the UK, where he studied, performed, and expanded his craft.
Kwame’s talent soon earned him places on global stages, touring and performing with internationally acclaimed acts such as Craig David, Patrice, and Yusuf/Cat Stevens. Whether on guitar, keyboards, or behind the mixing console, he carried Ghanaian musical identity wherever he went. His return to Ghana saw the creation of Mixstation, a state-of-the-art studio in Accra where he has recorded, produced, and mentored numerous artists.
In a revealing interview on Joy FM’s Y-Leaderboard Series, Kwame admitted that as a young musician he once thought Highlife was “whack” and repetitive. However, revisiting the classics of the genre changed his view entirely. “If all these great songs came from this music genre,” he explained, “then I had to look at it again and that was when I realised Highlife is really great.”
That turning point reshaped his mission not to abandon Highlife, but to modernize and elevate it while keeping its authenticity intact.
Kwame has been instrumental in reviving the careers of Highlife greats like Pat Thomas, working with the Kwashibu Area Band to blend vintage rhythms with contemporary arrangements. His work insists on live instrumentation, warm horn sections, tight rhythms, and the organic feel of real musicians playing together. In an era dominated by computer beats, Kwame’s productions remind the industry of music’s human soul.
His mastery has earned him multiple accolades, including Best Instrumentalist at the Ghana Music Awards and recognition from the International Reggae and World Music Awards (IRAWMA). His influence extends beyond performance as a Grammy voting member, he plays a role in shaping how African music is perceived globally.
Beyond the stage and studio, Kwame has been vocal about the need for better copyright enforcement, stronger support for live musicians, and more respect for technical roles like sound engineering. He believes the sustainability of Ghana’s music depends on balancing modern trends with the craft and skill that built the industry.
Kwame Yeboah’s journey from a curious young boy in a musical home to a world-class multi-instrumentalist and producer embodies the story of Highlife itself rooted in tradition, tested by change, and constantly reinvented. His ability to honour the past while pushing the sound forward is why, as far as Highlife is concerned, truly no one comes close.
(Story: Promoter Koolic)