TGMA: Tony Dath Highlights the role of local languages in Reggae and Dancehall recognition

Renowned Ghanaian artist Tony Dath took to social media to express that Jamaican Patois is not the benchmark for awarding Reggae and Dancehall songs in Ghana.

https://www.facebook.com/100010975578104/posts/pfbid0vC1MdXYrbmjZu5hN7xGKR8GSahWDFsuiPeCCA2zvcw73GdZjeh7ysPvnqVjcjp2Yl/?d=w&mibextid=qC1gEa

He made this statement after Kofi Kinaata, a well-known highlife artist, won with his song “Effiekuma Love,” which was sung in a Ghanaian local dialect.

Tony Dath has expressed his perspective on the significance of Patois in Reggae and Dancehall music within the Ghana Music Awards. He emphasizes that while Patois can enhance the authenticity of the genre, it is not the sole factor in achieving award-winning recognition.

Tony Dath’s insights highlight the broader elements of talent, creativity, and cultural resonance that contribute to success in the Reggae and Dancehall categories.

https://youtu.be/xjtTR15s6Z0?si=kIkWMZGxXmBACoZd

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