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Trapped between Fans and Foes: Social Intolerance, Cyberbullying, and Political Pressure on Celebrities

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Trapped between Fans and Foes: Social Intolerance, Cyberbullying, and Political Pressure on Celebrities

Social media was once hailed as the ultimate game-changer in communication, opening up a world where everyone could speak, share, and be heard. Platforms like X, Facebook, and Instagram became virtual megaphones for human rights, freedom of speech, and social causes. Well, in Ghana, that utopia has taken a nosedive into dystopia faster than you can say “tweet and delete.”

 

What was meant to give voice to the voiceless has turned into a weapon of mass destruction for celebrities’ reputations. Ghana’s glitterati now find themselves tap dancing through a minefield of fan expectations, political pressures, and vicious backlash from every Tom, Dick, and Hashtag.

 

The Double-Edged Sword: Empowerment or Entanglement?

Social media still has its perks. Celebs can hawk their latest endorsements, fans can feel like BFFs with their idols, and everyone gets to pretend their opinions matter. But beneath the shiny veneer of likes and shares lies a festering cesspool of toxicity.

 

Social media has evolved into an arena for online mobs, relentless harassment, and subtle coercion. Celebrities, once celebrated for their individuality, are now expected to wear the armor of public opinion—forced to take a stance on every issue, and pounced upon if they dare stay neutral or deviate from popular sentiment.

 

What should be a platform for self-expression has devolved into a daily battle of self-censorship, anxiety, and the erosion of personal freedom. One wrong emoji and it’s curtains for your career. Ghanaian celebrities are learning that fame, can come at a much higher price than they ever imagined.

From Tweets to Streets: The Genesis

It all started in 2015, with a single tweet. Yvonne Nelson’s #DumsorMustStop campaign was a spark that ignited a wildfire of social intolerance and online attacks that would gradually consume public figures in Ghana. The campaign, which led to the historic demonstration, was met with overwhelming support—but it also had its fair share of vocal detractors. Among them was comedian Oscar David, who voiced his opposition to the cause. The backlash was swift, brutal, and unrelenting. Oscar, who initially stood firm, was forced to make a public U-turn, in a May 2015 interview with Doreen Avio on Hitz FM after facing an online storm of insults and personal attacks.

 

This marked the beginning of a dangerous trend: the demonization of public figures who dared to express an opinion at odds with the prevailing social or political sentiment. What was once an occasional attack slowly evolved into a full-scale assault on free speech, with celebrities facing mounting pressure to toe the line—or else.

 

Fast forward to 2021, and the #FixTheCountry movement had celebs shaking in their designer boots. Suddenly, silence wasn’t just golden – it was career suicide. God forbid you didn’t visibly support the cause or, worse, criticize the government. Shows were canceled, releases rescheduled, and trips postponed – all to avoid the wrath of keyboard warriors with too much time on their hands.

 

And if social media wasn’t enough, the situation began to spill over into real life in 2024. The #StopGalamsey protests, initially an online cause, turned into physical blockades as demonstrators took to the streets and even blocked roads, forcing citizens to take sides. Those who refused to join the protest found themselves facing not just online vitriol, but tangible consequences in the form of public shaming and obstruction.

 

What was once a digital issue has now become a serious threat to personal freedom and autonomy. In today’s Ghana, if you’re a celebrity, it seems like silence is no longer an option. Either you join the movement, or you risk being dragged through the mud.

 

The Sarkodie and Stonebwoy Saga: Silence, Spin, and Social Media Storms

During the 2024 election season, Sarkodie, found himself at the center of a digital firestorm. Known for his usually apolitical stance, the rapper was repeatedly called out for his silence—specifically for not openly opposing the government or endorsing change. Fans and critics alike demanded he take a stand. Yet, for most of his illustrious career, Sarkodie had carefully steered clear of party politics, even when his peers waded in. His one notable political engagement was joining Yvonne Nelson in 2015 for the #DumsorMustStop campaign—only to face backlash when he didn’t fully participate, leading to a quiet fallout with the actress.

 

Since then, Sarkodie largely stuck to social commentary in his music, with a few lines addressing hardship and inflation. But it wasn’t until October 2020, with a few cleverly phrased bars, that he was accused of politicking:

 

Nye s3 me ne aban no wwentwi wentwi
Na se dumsor ba ye na me ka ye a
Inflation koraa so me bↄↄso
Nti nnɜ me da kania mu na me mma bɜkskuul free dia ɜnieme tu ky3 ma mo
Mo nfa me bone nky3 me nana toa so”

 

And for that, Sarkodie faced a barrage of online attacks—insults, curses, and the infamous campaign to cancel his Rapperholic show after the NPP’s defeat in December 2024.

 

But the real heat came for Stonebwoy, after the NDC won the election. Stonebwoy’s ‘crime’? He stayed neutral. Aside from a few friendly photos with government officials, he had said or done nothing publicly in favor of any political party. Instead, he focused on social causes like #FixTheCountry and #StopGalamsey.

 

Despite his neutrality, Stonebwoy was vilified and subjected to an online tirade of accusations, insults, and calls for boycotts – #DropStonebwoy. The public outrage reached fever pitch. His only “sin”? Charging for shows, as any artists would. Why? Because he refused to be shackled by political allegiance. In Ghana, silence seems to be the only unforgivable crime.

 

The Way Forward: Less Mob, More Dialogue

The pressure to speak out is just the beginning. Today, celebrities aren’t just expected to say something; they’re expected to align themselves with the “right” opinions, as dictated by the loudest voices on social media. Disagree or offer a nuanced opinion? Prepare for a social media onslaught.

 

The increasing intolerance and cyberbullying directed at Ghanaian celebrities is a warning sign of a much larger problem. While celebrities have always faced scrutiny, the current climate of coercion and harassment is a stark violation of their basic rights to privacy and free expression. The digital world should empower, not imprison.

 

By fostering a culture of empathy, respect, and nuanced dialogue, we can create an online ecosystem that benefits both public figures and ordinary citizens. The right to free speech must be protected for all—celebrities included—if we are to truly harness the power of social media for good. Only then can we ensure that our interconnected world is one that encourages diversity of thought rather than punishes it.

 

(Story: Richmond Adu-Poku)

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Elorm Beenie is an experienced Public Relations Officer and Author with a demonstrated history of working in the music industry. He holds an enviable record of working directly and running PR jobs for both international and local artistes; notable among his huge repertoire of artistes worked with are Morgan Heritage (Grammy Winners), Rocky Dawuni (Grammy Nominee, 2015), Samini (MOBO Winner - 2006, MTV Awards Africa Winner - 2009) and Stonebwoy (BET Best African Act Winner - 2015). Other mainstream artistes of great repute he has worked with are Kaakie, Kofi Kinaata, Teephlow, (just to name a few), who have all won multiple awards under Vodafone GHANA Music Awards (VGMAs). Elorm Beenie has done PR & road jobs for Sizzla, Jah Mason, Busy Signal, Kiprich, Anthony B, Demarco, Turbulence, Popcaan, Jah Vinci & Morgan Heritage who came to Ghana for concerts and other activities. Elorm Beenie has done countless activations for artistes and has coordinated dozens of events both locally and internationally. He deeply understands the rudiments of the industry. His passion for the profession is enormous. Aside his PR duties, he also stands tall as one of the few bloggers who breakout first hand credible and also dig out substantial information relating to the arts & industry. He is quite visible in the industry and very influential on social media, which to his advantage, has gunned a massive following for him on social media as well as in real life. He is a strong media and communication professional skilled in Coaching, Strategic Planning, and Event Management. He's very transparent on issues around the art industry.

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