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Young Ghanaian Artistes are matching up to Nigerian Music Industry Standards – Empress Ghadafi

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Young Ghanaian Artistes are matching up to Nigerian Music Industry Standards – Empress Ghadafi

In recent years, Ghana’s music industry has seen an incredible surge in young, talented artists making waves both locally and internationally. Many industry observers have praised the new generation for their creativity, resilience, and ability to compete on the global stage. One such advocate is Empress Ghadafi, a respected voice in the entertainment scene, who believes that young Ghanaian musicians are now going head-to-head with their Nigerian counterparts.
For decades, the Nigerian music industry has dominated the African entertainment landscape, with artists like Burna Boy, Wizkid, Davido, and Rema setting global records. However, according to Empress Ghadafi, Ghanaian musicians are now proving that they, too, have what it takes to claim a significant stake in the international market.
“The young artists these days are really matching up, going head to head with the Nigerian music industry,” Empress Ghadafi stated. “The talent, the quality of production, and the global appeal of our artists are at an all-time high.”
Several young Ghanaian musicians have risen to prominence, pushing the boundaries of Afrobeats, highlife, and hiplife with fresh, innovative sounds. Artists like Black Sherif, King Promise, Gyakie, and KiDi have gained massive recognition, collaborating with top international acts and earning millions of streams worldwide.
Black Sherif, for example, has been a game-changer, bringing a unique storytelling style that resonates with audiences beyond Ghana. His record-breaking achievements on streaming platforms and collaborations with global stars have positioned him as one of Africa’s most promising talents. Similarly, Gyakie’s silky vocals and international partnerships have proven that Ghanaian music can appeal to a global audience.
Empress Ghadafi believes that the difference in recent years has been the improved branding and marketing strategies employed by Ghanaian musicians. Unlike in the past, where Nigerian artists had a more aggressive approach to marketing, Ghanaian musicians are now understanding the importance of branding, social media engagement, and international collaborations.
“Our artists are no longer limiting themselves to just Ghana. They are tapping into new markets, using digital platforms effectively, and making their music heard beyond the continent,” she emphasized.
With platforms like Spotify, Apple Music, and Audiomack expanding their presence in Africa, young Ghanaian artists now have more opportunities to distribute their music globally. Social media platforms like TikTok have also played a major role in amplifying Ghanaian music, allowing artists to connect with a wider audience.
Despite this progress, challenges remain. One of the biggest hurdles facing Ghanaian artists is the lack of major record label investments compared to Nigeria. Nigerian artists have benefitted from massive record deals with international labels like Sony Music, Universal Music Group, and Warner Music, which provide financial backing for promotions, tours, and collaborations.
Empress Ghadafi acknowledges this gap but remains optimistic. “The infrastructure for music promotion in Ghana still needs improvement, but the artists are doing their best. We need more investment in the industry to push our young talents further,” she noted.
Another challenge is the need for a stronger, more unified industry structure that supports the growth of young artists. While Nigerian musicians have a well-established support system, including talent management agencies and media platforms dedicated to pushing their content, Ghana is still catching up in that regard.
There is no doubt that Ghanaian music is on the rise, and Empress Ghadafi’s remarks reflect the growing confidence in the industry. With young artists breaking barriers and proving their worth on the international stage, the future looks promising for Ghana’s music scene.
As more investments, collaborations, and strategic promotions come into play, Ghanaian artists have the potential to stand shoulder-to-shoulder with their Nigerian counterparts and cement their place in the global music industry. The momentum is strong, and if sustained, Ghana could soon be the next dominant force in African music.
(Story: Promoter Koolic)

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Elorm Beenie is an experienced Public Relations Officer and Author with a demonstrated history of working in the music industry. He holds an enviable record of working directly and running PR jobs for both international and local artistes; notable among his huge repertoire of artistes worked with are Morgan Heritage (Grammy Winners), Rocky Dawuni (Grammy Nominee, 2015), Samini (MOBO Winner - 2006, MTV Awards Africa Winner - 2009) and Stonebwoy (BET Best African Act Winner - 2015). Other mainstream artistes of great repute he has worked with are Kaakie, Kofi Kinaata, Teephlow, (just to name a few), who have all won multiple awards under Vodafone GHANA Music Awards (VGMAs). Elorm Beenie has done PR & road jobs for Sizzla, Jah Mason, Busy Signal, Kiprich, Anthony B, Demarco, Turbulence, Popcaan, Jah Vinci & Morgan Heritage who came to Ghana for concerts and other activities. Elorm Beenie has done countless activations for artistes and has coordinated dozens of events both locally and internationally. He deeply understands the rudiments of the industry. His passion for the profession is enormous. Aside his PR duties, he also stands tall as one of the few bloggers who breakout first hand credible and also dig out substantial information relating to the arts & industry. He is quite visible in the industry and very influential on social media, which to his advantage, has gunned a massive following for him on social media as well as in real life. He is a strong media and communication professional skilled in Coaching, Strategic Planning, and Event Management. He's very transparent on issues around the art industry.

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