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Meet Nan Beatz, the 4-Year-Old Producer

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Meet Nan Beatz, the 4-Year-Old Producer

Nan Beatz’s journey through the industry has been idiosyncratic. With two years of producing hit songs for several Ghanaian artists and playing the role of a model figure to other young creative people, Nan Beatz has been able to prove beyond doubts that age really is but a number.
Born Adnan Nabil Awal, Nan Beatz started manifesting his love for music when his father taught him to play guitar in 2020. He was two years old. His father built a home studio for him and that served as a foundation for his music.
“I started music when I was 2 with the strings . I started very early and you can say I come from a musical family. So basically, music has just always been a part of me. I moved on to playing the piano when I turned 3 and produced my first project that same year.”
He said to me that he usually spend after his school time in his studio, not failing to gesticulate with his hands as he pronounced every word with resplendent calmness. This is the typical Nan – strikingly good-looking and with a calm demeanor that can seemingly quench the hottest of tensions.
Even though he had been in the game for some time now, people didn’t really get to know this 4-year-old until he released his first project. Nan Beatz never stopped working. Nan Beatz spent countless hours learning to master his craft and find his style. This venture of wanting to be better at producing led him to at times sleep in the PPP studio, an outfit owned by his father that trains young music makers to become better at what they do.
“From one’s choice of music, you can always tell their personality. So like, I am a calm person. From my music, you would be able to tell that I’m a very calm and reserved person. That is why I use Blue Rhodes on the piano in most of my work. The sound is warm and eases me so I tend to use it a whole lot.”
The flaming desire for growth could be seen even through the shades he wore as we had the conversation. Since he started doing music professionally and now, the champ has experienced so much growth in his art and still yearns for even more. This trait is necessary for survival in not just Ghana’s entertainment industry, but generally any field at all in life.
Nan Beatz turns 4 years in the coming weeks and is set to tell his story in a riddim dubbed “The 4 years riddim” which he reveals will have one of the hottest artist in Ghana on it.
Follow him on Facebook: Nan Beatz.
(Source/Contributor: Mixtic Romras)

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Elorm Beenie is an experienced Public Relations Officer and Author with a demonstrated history of working in the music industry. He holds an enviable record of working directly and running PR jobs for both international and local artistes; notable among his huge repertoire of artistes worked with are Morgan Heritage (Grammy Winners), Rocky Dawuni (Grammy Nominee, 2015), Samini (MOBO Winner - 2006, MTV Awards Africa Winner - 2009) and Stonebwoy (BET Best African Act Winner - 2015). Other mainstream artistes of great repute he has worked with are Kaakie, Kofi Kinaata, Teephlow, (just to name a few), who have all won multiple awards under Vodafone GHANA Music Awards (VGMAs). Elorm Beenie has done PR & road jobs for Sizzla, Jah Mason, Busy Signal, Kiprich, Anthony B, Demarco, Turbulence, Popcaan, Jah Vinci & Morgan Heritage who came to Ghana for concerts and other activities. Elorm Beenie has done countless activations for artistes and has coordinated dozens of events both locally and internationally. He deeply understands the rudiments of the industry. His passion for the profession is enormous. Aside his PR duties, he also stands tall as one of the few bloggers who breakout first hand credible and also dig out substantial information relating to the arts & industry. He is quite visible in the industry and very influential on social media, which to his advantage, has gunned a massive following for him on social media as well as in real life. He is a strong media and communication professional skilled in Coaching, Strategic Planning, and Event Management. He's very transparent on issues around the art industry.

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